The director of the upcoming Spider-Man reboot on the film that got him noticed by Marvel: a tense, low-budget rural thriller starring Kevin Bacon about two kids who stumble across a cop car belonging to a corrupt policeman, desperate to get back what he's stashed in his car's trunk...
IGN: What's immediately noticeable about Cop Car is its small cast and deserted rural locations, which presumably makes it a manageable concept for a low-budget indie thriller. Was that a consideration when developing it?
Watts: That's my hometown where we shot it. When
Chris Ford and I were originally writing it, we never thought anyone would want to make it! But that gives you a sort of freedom. It wasn't even as calculating as thinking, 'This would be a manageable budget', or whatever. But everything about it was just really straightforward and stripped down, from the dialogue to the execution; it all just came out that way pretty naturally. There was nothing that was compromised because we made it for a low budget. It just was an idea pitched on that level. So it was sort of perfect.
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